Log In

Don't have an account? Sign up now

Lost Password?

This site is used by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Continue with Google

Sign Up

This site is used by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Continue with Google

Recent Opportunities

Browse recently posted opportunities

  • Sound Stage Screen

    SSS Lab: Sound Stage Screen’s Multimedia Channel
    Event Notice

    • Sound Stage Screen
    • United States

  • Canada Research Chair in Music and Politics

    Multimedia Virtual Exhibition: Sur l’air de la liberté
    Event Notice

    • Canada Research Chair in Music and Politics
    • United States

  • Journal of Film Music

    Call for Reviews and Articles: Journal of Film Music
    Call for Submissions

    • Journal of Film Music
    • United States

  • Fontes artis musicae

    Fontes artis musicae, New Issue
    Publication Notice

    • Fontes artis musicae
    • United States
Add Alert
Sign in or create an account to continue.
Sign inCreate Account
Browse All

Field Notes

For music studies professionals

Emily Abrams Ansari and Alejandro Madrid

JAMS Interviews: On Don Tito and the Berliner Phonogramm-Archiv

Alejandro L. Madrid and Emily Abrams Ansari discuss their research.
person reading news on tablet

News Roundup – 6/15/2025

Monthly news roundup for June 2025.

Recent Posts

Emily Abrams Ansari and Alejandro Madrid

JAMS Interviews: On Don Tito and the Berliner Phonogramm-Archiv

Jake Johnson
Alejandro L. Madrid and Emily Abrams Ansari discuss their research.
person reading news on tablet

News Roundup – 6/15/2025

AMS Office
Monthly news roundup for June 2025.
Dwandalyn Reece

My Life in Music

Dwandalyn R. Reece
Dwandalyn R. Reece reflects upon her experience in the public sector.

Receive only the posts you want directly to your inbox.

Configure your email alerts!

Learn more!

Featured Videos

This workshop, conducted by Grammy-nominated audio engineer, Jasmine Chen, explores the main tools that musicians and audio engineers use to make contemporary recordings.

In this AMS President’s Plenary Lecture, Suzanne Cusick, discusses her struggle to find reparative positions from which to do intellectual work amid the swirling tangle of public and disciplinary anxieties.